The Eighteen Arhats of the Xuande Era

An Eternal Faith Forged in Porcelain

Flames of Devotion, Craftsmanship Beyond Compare

In the eighth year of the Xuande era, the imperial kilns of Jingdezhen burned fiercely as master artisans devoted their lives to crafting eighteen Arhat figurines. These porcelain statues embodied Emperor Xuanzong Zhu Zhanji's deep Buddhist faith and the artisans' relentless pursuit of artistic perfection.

Eighteen Arhats: A Legacy of Mastery

The collection features figures such as the Deer-riding Arhat, Joyful Arhat, Alms Bowl Arhat, Pagoda-bearing Arhat, Meditative Arhat, River-crossing Arhat, Elephant-riding Arhat, Lion-smiling Arhat, Happy Arhat, Reaching Arhat, Contemplative Arhat, Ear-picking Arhat, Sack-carrying Arhat, Plantain-holding Arhat, Long-browed Arhat, Guardian Arhat, Dragon-subduing Arhat, and Tiger-taming Arhat.

From their facial expressions to the flowing lines of their robes, each Arhat was refined through countless meticulous processes. Artisans used delicate brushwork to depict their benevolent or commanding presence, while expertly blending glazes to achieve a rich yet subtle depth. The deep blue hues of the underglaze contrast beautifully with the luminous, jade-like surface.

Xuande Blue and White: The Pinnacle of Porcelain Art

Xuande blue and white porcelain is regarded as one of the greatest achievements in ceramic history. Its mesmerizing shades of blue have endured for over six centuries, flowing elegantly across pristine white porcelain.

The distinct beauty of Xuande porcelain stems from the use of imported cobalt pigment known as "Sumali blue," sourced from Persia. Under the hands of master artisans, this pigment creates rich variations—sometimes bold, sometimes subtle, forming breathtaking patterns such as the powerful waves of the sea-and-cliff motif, the delicate grace of scrolling lotus vines, and the regal elegance of dragons and phoenixes.

Beyond its beauty, the rarity of Xuande porcelain lies in its meticulous craftsmanship. From refining the clay to perfecting the glaze formula, from painting intricate designs to controlling kiln temperatures, every step embodies an obsessive dedication to excellence. This uncompromising pursuit led to the unparalleled artistic achievement known as "a marvel never before seen in history."

Eighteen Arhats: A Testament to Faith and Art

Forged in the flames of the kiln, the Eighteen Arhats seem to possess a life of their own, embodying the boundless wisdom of Buddhist teachings. Now reunited, these masterpieces stand as both the pinnacle of Ming dynasty ceramic artistry and an eternal testament to Chinese civilization’s devotion to faith and artistic excellence.

Every brushstroke and every glaze layer tells the story of a bygone golden age, inspiring awe in those who gaze upon them. The Arhats, whether glaring fiercely to subdue demons or smiling serenely in enlightenment, exude profound Zen philosophy through their flowing robes and dignified presence.

Refined by fire to an icy jade-like texture, their forms exhibit an ancient technique of shading and contouring that enhances their divine aura. More than just porcelain, these masterpieces represent a priceless legacy of craftsmanship, spirituality, and artistic brilliance.

• Product Name: Luohan Sitting on a Deer

• Bottle Length: 22.0 cm (8.66 in)

• Bottle Width: 19.0 cm (7.48 in)

• Bottle Height: 41.0 cm (16.14 in)

• Base Dimensions: 14 × 18 cm (5.51 × 7.09 in)

• Weight: 4030 g (8.88 lbs)

——————————————————————————————————————

大明宣德十八羅漢

瓷魂鑄就的永恆信仰

宣德八年，窯火熊熊，匠心獨運
明宣宗朱瞻基年間，景德鎮御窯廠內窯火不息，工匠們屏息凝神，傾注畢生心血，塑造出十八尊羅漢像。這些瓷像不僅承載著皇帝對佛教的虔誠信仰，也寄託著匠人對完美藝術的極致追求。

十八羅漢，千錘百煉的傳世瑰寶
坐鹿羅漢、歡喜羅漢、舉缽羅漢、托塔羅漢、靜坐羅漢、過江羅漢、騎象羅漢、笑獅羅漢、開心羅漢、探手羅漢、沉思羅漢、挖耳羅漢、布袋羅漢、芭蕉羅漢、長眉羅漢、看門羅漢、降龍羅漢、伏虎羅漢，每一尊羅漢，從開臉到衣紋，都經歷千錘百煉。

工匠們以細膩的筆觸勾勒出羅漢或慈悲、或威嚴的神態，並以精湛技藝渲染釉色，青花發色沉穩，釉面溫潤如玉，展現無與倫比的藝術價值。

宣德青花，陶瓷藝術的巔峰
宣德青花瓷，被譽為陶瓷史上的巔峰之作。這一抹幽藍，穿越六百餘年，依然在潔白的瓷胎上流淌出震撼人心的美。

宣德青花之美，在於其獨特的蘇麻離青料。這種來自波斯的鈷料，在匠人妙手之下，或濃或淡，或聚或散，幻化出萬千氣象。海水江崖紋的磅礴，纏枝蓮紋的婉約，龍鳳紋的華貴，每一筆都凝聚著工匠對美的極致追求。

宣德青花之貴，在於其精益求精的工藝。從胎土的淘洗到釉料的配比，從紋樣的繪製到窯溫的控制，每一道工序都蘊含著匠人的智慧與心血，造就了"開一代未有之奇"的藝術成就。

十八羅漢，信仰與藝術的永恆詮釋
窯火淬鍊下，十八羅漢仿若被賦予生命，在光影流轉間，傳遞著佛法無邊的奧義。如今它們終於重聚面世，不僅是明代陶瓷藝術的巔峰之作，更是中華文明對信仰與藝術的永恆詮釋。

每一道紋路，每一抹釉色，都在訴說著那個輝煌時代的故事，令人心生敬畏。羅漢尊者或怒目降魔，或拈花含笑，衣袂飄逸間隱現千年禪機。窯火淬鍊出冰肌玉骨，古法皴擦令寶相莊嚴。這些瓷器不僅展現明代高超的製瓷工藝與繪畫技法，更具有極高的收藏與藝術價值。

• 產品名稱： 坐鹿羅漢

• 瓶身長度： 22.0 厘米 (8.66 英吋)

• 瓶身寬度： 19.0 厘米 (7.48 英吋)

• 瓶身高度： 41.0 厘米 (16.14 英吋)

• 瓶底尺寸： 14 × 18 厘米 (5.51 × 7.09 英吋)

• 重量： 4030 克 (8.88 磅)