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Qing Yongzheng Doucai Vase with Intertwined Floral Scroll and Medallion Motif | 清雍正鬥彩纏枝團花紋花瓶・珍藏

$2,280,000.00 $1,824,000.00

A Supreme Doucai “Floral Scroll” Vase with Western Baroque Influence, Yongzheng Mark and Period This exceptional vase represents the apex of imperial doucai porcelain from the Yongzheng reign, masterfully combining the aesthetics of both Chinese literati taste and Western pictorial techniques introduced by Jesuit artist Giuseppe Castiglione (Lang Shining). It...

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Dresses Size Chart

Dress Size Chart (Inch)
DRESSES
SIZE IN INCHES
SIZE US / CAN BUST WAIST HIPS
XS 0 31"-32" 24"-25" 34"-35"
S 2-4 33"-34" 26"-27" 36"-37"
M 6-8 35"-36" 28"-29" 38"-39"
L 10-12 37"-39" 30"-32" 40"-42"
XL 14 40"-42" 33"-35" 43"-45"
Dress Size Chart (cm)
DRESSES
SIZE IN CM
SIZE US / CAN BUST WAIST HIPS
XS 0 78.7-81.2 60.9-63.5 86.3-88.9
S 2-4 83.8-86.3 66-68.5 91.4-93.9
M 6-8 88.9-91.4 71.1-73.6 96.5-99
L 10-12 93.9-99 76.2-81.2 101.6-106.6
XL 14 101.6-106.6 81.2-88.9 109.2-114.3

Swimwear Size Chart

Dress Size Chart (Inch)
SWIMWEAR
SIZE IN INCHES
SIZE US / CAN BUST WAIST HIPS
XS 0 31"-32" 24"-25" 33"-34"
S 2 33"-34" 26"-27" 35"-37"
M 4 35"-36" 28"-29" 37"-38"
L 6 37"-39" 30"-32" 39"-41"
XL 8 40"-42" 33"-35" 42"-44"

Shoes Size Chart

US EURO UK AUS JAPAN CHINA
5 35-36 3 3.5 21.5 35
5.5 36 3.5 4 22 35.5
6 36-37 4 4.5 22.5 36
6.5 37 4.5 5 23 36.5
7 37-38 5 5.5 23.5 37
7.5 38 5.5 6 24 37.5
8 38-39 6 6.5 24.5 38
8.5 39 6.5 7 25 38.5
9 39-40 7 7.5 25.5 39
9.5 40 7.5 8 26 39.5
10 40-41 8 8.5 26.5 40
11 41-42 9 9.5 27.5 41

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A Supreme Doucai “Floral Scroll” Vase with Western Baroque Influence, Yongzheng Mark and Period

This exceptional vase represents the apex of imperial doucai porcelain from the Yongzheng reign, masterfully combining the aesthetics of both Chinese literati taste and Western pictorial techniques introduced by Jesuit artist Giuseppe Castiglione (Lang Shining). It epitomizes the cultural and artistic fusion that defined the 18th-century Qing court.

The decoration draws heavily from Western principles of perspective and chiaroscuro, hallmarks of the Baroque style. Gracefully entwined scrolling vines encircle the body with rhythmic flow, rendered using the traditional double-outline and enamel-filling technique (shuanggou tiancai). Leaves and tendrils twist in dynamic motion, subtly shaded to create the illusion of depth and light, a nod to European three-dimensional artistry.

The central floral medallions are vividly painted in a harmonious palette of overglaze enamels—iron red, egg-yolk yellow, moss green, lake blue, and soft purple—layered and shaded with exceptional precision. The petals are rendered using gradient washes, a technique reminiscent of Song dynasty fine brushwork but reinterpreted with Rococo elegance and sensuous curvature. Some centers are enhanced with delicate gold dots, further elevating the visual opulence.

The vase’s body is thinly potted from refined Jingdezhen kaolin clay, light-transmitting yet structurally robust. Underglaze blue outlines, using Zhejiang-sourced cobalt, were applied first and high-fired at 1300°C, producing a deep ink-blue hue. The overglaze colors were then painted and fired at a lower temperature (~800°C), achieving a lustrous finish. The scrolling design seamlessly wraps around the vessel using the “wall-passing” (guoqiang) method, an advanced technique requiring absolute mastery of form and curvature.

This vase synthesizes the majestic flamboyance of Kangxi and Yongzheng falangcai with the scholarly elegance of literati wares. More than mere ornamentation, its design echoes imperial symbolism: the unfurling blossoms represent flourishing governance and imperial virtue—“a hundred flowers bloom, and peace prevails.” It is a profound embodiment of the Qing philosophy of “vessels as carriers of moral and political ideals.”

Fewer than twenty comparable examples are known worldwide. With recent auction records affirming the market’s fervent demand for Yongzheng doucai pieces with Western stylistic influences, this vase stands out as a scholarly treasure and blue-chip asset—an artifact where imperial taste, global artistry, and timeless technique converge.

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清雍正斗彩缠枝團花紋瓶 —— 融貫中西之宮廷瑰寶

此瓶為清雍正年間御窯所燒斗彩珍品,結合中華傳統細筆工藝與西洋透視畫法,體現十八世紀清宮中西藝術交匯之高峰,工藝精緻,匠心獨具。

瓶身紋飾佈局深受意大利傳教士郎世寧所傳之西洋畫法影響,採巴洛克構圖美學,缠枝藤蔓順應器形自然展延,以雙勾填彩技法描繪,線條流暢如行雲流水,枝葉轉折之處兼具光影變化,塑造出立體空間感。主體團花則以矾紅、鵝黃、草綠、湖藍、洋紫等五彩釉上彩層層渲染,花瓣以暈染漸層描繪,呈現出宋代工筆之細膩與洛可可風格之柔美華麗並存之韻味。

其製作工序極為繁複:胎體以景德鎮上乘高嶺土精緻修胎,胎薄若蟬翼,迎光可見影,修坯技術極為高超。釉下青花用浙料繪制,經1300℃高溫燒製後呈墨藍沉穩色調,再施以釉上彩低溫二次焙燒,彩釉晶瑩如玉,歷三百年依舊瑰麗。缠枝紋連續不斷,採「過牆」技法圍器一周無接痕,顯示工匠對器形弧度掌握之極致。

此瓶集康雍時期珐琅彩之華貴與文人瓷之清雅於一身,瓶中圖案暗寓「百花齊放、政通人和」之帝王之象,映現雍正皇帝「格物致知、器以載道」的審美追求,亦為十八世紀宮廷藝術哲學的具象呈現。

傳世此類中西融合之雍正斗彩瓶存量極少,據傳不逾二十例。近年來康雍乾御瓷屢創拍賣紀錄,其中以融合西風東韻者最為矚目。此瓶不僅品相完美,寓意深遠,且具藝術、歷史與市場多重價值,實為清宮藝術與文化交流史上的重器,極具代表性與收藏潛力。

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